There are some really exhilarating set-pieces, especially the one that kickstarts the proceedings: Nolan starts off with a high-tension, high-anxiety bank raid, carried out by a dodgy crew all in Joker masks, all whispering among themselves about the crazy guy in clown makeup who hired them to do the job. But when an ambitious district attorney named Harvey Dent (Aaron Eckhart) comes forward to challenge Gotham City's villainy through proper legal channels, the man also known as Batman sees an opportunity to replace his vigilante persona with a figure of virtue who will truly inspire the best in the citizenry.
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Unfortunately, Batman's success as a crime fighter has generated new problems for Gotham, including a consolidation of the crime lords who once controlled the city independently. A sound like a batgloved fist smacking into a cupped palm is what this film delivers: only deafeningly amplified and clarified with crisp, digital precision. Having eased more comfortably into a lifestyle of excess, Wayne lurks on the fringes of his family's corporation as CEO Lucius Fox (Morgan Freeman) runs the boardroom.
Wait - is he there personally? Lock yourself away, avoid social media and friends, and finish this game. Is strange, dark, grandiose and mad it is overlong and overhyped but hugely entertaining.
Batman mobile CarAnd there is a new, conventional crime fighter in town: the handsome, dashing district attorney Harvey Dent, played by Aaron Eckhart, a man who believes that the rule of law has to be upheld by a democratically accountable person, not some shadowy figure of the night. Watching the first dizzying, vertiginous overhead shot of the glittering skyscrapers and minuscule streets, I literally forgot to breathe for a second or two, and found myself teetering forward on my seat - timidly, I had chosen one high up at the very back of the auditorium - as if about to topple into the illusory void.
His great grin, though enhanced by rouge, has evidently been caused by two horrid slash-scars to the corners of his mouth, and his whiteface makeup is always cracking and peeling off, perhaps due to the dried remnants of tears, making him look like some self-hating Pagliaccio of crime, sweating backstage after the latest awful spectacular. Batman time! Christian Bale returns as Bruce Wayne, the billionaire playboy who moonlights as Batman.
You won't want this one spoiled for you. In a simple, physical sense it really is huge, with cityscape sequences filmed on Imax technology, that demand to be seen on the vast Imax screen. The Dark Knight is the continuation of British director Christopher Nolan's reinvention of the Batman story and it takes the story up to his primal confrontation with the Joker, the villain who among the wrongdoer-gallery ranged against Batman is first among equals: here leading an unspeakable cabal of wiseguys.
Spider-Man Creator Steve Ditko Once Turned The Undertaker Into A Cannibal65 Most Compelling Pieces Of Evidence That Prove Aliens Have Visited EarthGet your Batarangs sharpened and don your finest cape and cowl, it’s Batman vs. Gary Oldman plays Lt Gordon, before his historic promotion to Commissioner status. Ledger has a weird collection of tics and twitches, kinks and quirks his tongue darts, lizard-like, around his mouth, a little like Frankie Howerd, or perhaps Graham Kerr, the galloping gourmet of 6975s television.
This revue presents its numbers around the orchestra leader Paul Whiteman, besides that it shows in it s final number that the European popular music are the roots of American popular music. The caped crusader himself (although this camp designation is now not used) is again played by, clanking around in a kind of titanium-lite exoskeleton and making use of a heavy-duty Batmobile so macho and military-looking it makes a Humvee look like the kind of Prius driven by Gok Wan. It isn't an overstatement to call the most sophisticated and ambitious work of its kind.
And, of course, The Joker wants to destroy all of that, albeit less because of some law of movie villainy than because he sees his existence as the necessary antithesis or perhaps ultimate extension of the murky morality of Batman's brand of justice. It is the sound of all other recent super-hero movies getting their asses well and truly kicked. Michael Caine and provide droll performances as Wayne's ancillary staff, his butler Alfred and his Q-like costume designer, Lucius Fox.
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To the chagrin of Batman and his far-from-mild-mannered alter ego, billionaire Bruce Wayne, Harvey is dating the love of Batman's life: legal eagle Rachel Dawes, played by Maggie Gyllenhaal. Meanwhile, Dent and his sometimes partner Jim Gordon (Gary Oldman) look at Batman's existence as a good thing, a fulcrum against which they can enforce the law and sometimes bend rules to accomplish loftier goals. Batman is still a reasonably novel figure in Gotham city as the action begins.
They still refer to this dubious vigilante with a retro-sounding definite article: he is the Batman. A collection of short stories, made by different animators with robot as the working title. Superior to all three Spider-Man installments and even its amazing predecessor in terms of conceptualization, writing, acting, and direction, Nolan's follow-up to Batman Begins is a dark, complex and disturbing film, not the least of which because it grafts its heroics onto the blueprint of actual reality rather than that of spandex-clad supermen.
Perhaps bolstered by the success of the first film, Nolan reaches out further with his storytelling and camerawork in The Dark Knight to create an ongoing, palpable feeling of tension that never relents through the entirety of the film's two and a half hour running time. Wayne, less outwardly conflicted than in Batman Begins, sees Dent's ascension as an opportunity to stop playing dress up and reunite with Rachel Dawes (Maggie Gyllenhaal) the one woman who knows his secret. When, after all, was the last time a movie criminal wasn't merely mad, but had a deeper ideological motivation for his dastardly deeds?
Torn between championing Dent and meting out justice as a masked vigilante, Wayne soon finds himself at a crossroads between being the hero that Gotham needs and the one it deserves. The Joker is played, tremendously, by the late. Meanwhile, a new adversary named The Joker (Heath Ledger) proves particularly dangerous because he seeks not only to advance the cause of Gotham's underworld, but obliterate the foundations of liberty and order that Batman protects.
While all of this sounds lofty and it is Nolan examines these themes in beautifully human terms, projecting his examination of the hero into the hearts and minds of his characters. Why isn't he there personally?